Sunday, November 19, 2017

Jason Rhoades: Everything is Everything

The taboo-shattering LA installation artist is the subject of a major gallery retrospective, and striking a chord with a new generation, a decade after his death.

The Enduring Appeal of ED PASCHKE

With the opening of the Ed Paschke Arts Center, the famed Chicago Imagist returns to Chicago, bringing his studio, legacy, and the demi-monde to Jefferson Park.

Chinese Lessons

A range of exhibitions of Chinese contemporary art in Southern California provides a veritable history lesson on the emergence of Chinese art in the last half century.

a mutable feast

In drawing, sculpture, video, and installation works, Santa Fe artist James Drake tackles difficult subjects with exquisite versatility.

Introducing the MONSTER ROSTER

Out of the existential dread of postwar America, a group of Chicago artists founded a loose movement that preceded Imagism, and laid the roots for the city’s signature style.

Llyn Foulkes

Raw, tactile, eviscerating and more timely than ever, Llyn Foulkes' transfixing work both skewers and reimagines the inner landscape of LA.

Mark Ryden

In his latest work, LA’s leading Pop Surrealist takes viewers on a warped tour of 1890s Main Street USA, exhuming the narrative tradition with ample doses of dark wit and, yes, kitschy charm.

David Ireland: Revisiting 500 Capp Street

The reopening of 500 Capp Street earlier this year, and several recent exhibitions on his work, recall the influential Bay Area artist’s playful-but-profound, self-effacing sensibility.

Richard Diebenkorn’s MFA

although widely associated with the bay area, it was in New Mexico that the famed landscape painter came of age

Robert Irwin

At 87, the iconic Light and Space pioneer is pressing forward with a range of ambitious new projects and installations, from San Diego to Marfa, Texas

“Super Saturated!” SoCal Abstraction

With inspirations as diverse as the sun, surf and pixels, three SoCal artists bring a vibrant new twist on modernist abstraction

Kathryn Andrews

Employing props, costumes and other movie collectibles, the LA artist deconstructs presidential elections, gender relations, and the mechanisms of cultural desire.
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