Saturday, August 17, 2019

Kirsten Everberg

The drips and pools of paint overlay and coalesce with one another to create images that are at once abstract and representational.

lorraine peltz

Peltz translates her experiences as an artist, woman, mother, wife, and teacher, by way of isolating a single, personal image within a field of color and patterning.

john sonsini

John Sonsini says of his thickly painted portraits of Latino men that he is “remaking the person’s image.”

Lisa Anne Auerbach

Ultimately perhaps the most striking aspect to Auerbach’s work, even beyond its bold, quirky, blend of activism and artisanship, is its fluidity.

james boulton

Painter James Boulton’s restless, irreverent abstractions are the product of a peripatetic life and wide-ranging artistic influences.

david middlebrook

Common threads that run through the work are a direct link to artists and art history...

whiting tennis

Whiting Tennis has made use of every imaginable medium but the heart of his process runs a taut thread whereby the artist conveys notions of history, geography and the inherent temporality of works of art.

brian wills

In Kentucky, he was influenced by the minimalist aesthetic of Quaker villages, and his grandmother, whom he describes as “a master quilt-maker” and to whom he attributes his notable “sense of color.”

sid garrison

Sid Garrison’s colored pencil drawings come into being through a process that he describes as a kind of “call and response” and sometimes even a “skirmish.”

shane guffogg

Using the idea of illumination as a literal and metaphorical framework for his work, L.A.-based artist Shane Guffogg makes oil paintings with radiant, fairly humming surfaces, replete with the caprices of refractive light trapped inside their own skin.

nguyen-duy

Pipo Nguyen-duy’s large-scale color photographs of solitary figures adrift in lush, sometimes ravaged landscapes evoke our post-9/11 anxieties without any overt images of the Twin Towers or other icons from that tragic day.

richard rezac

One of the works... an untitled, wall-bound bronze, resembles the surface of glazed ceramic, though the metal is practically untouched from the way it emerged from the foundry-somewhat unusual for an artist known for his painstaking finish work.

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“Flower Tree,” 2014 Matt Wedel, NCECA

NCECA 2017 in Portland

SPOTLIGHT: Houston

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